joannacaroline:

Sawdust and Diamonds Live at the First Unitarian Church Sanctuary in Philadelphia. November 16th, 2006.

popculturediedin2009:

Elizabeth Taylor is asked about marriage, September 2007

npr:

Since the early 2000s, Joanna Newsom has challenged the independent music world’s standards of what a feminine voice can be. Hers is strange and unrestrained, pushing and pulling recklessly. It is also uncompromisingly girlish, as critics have oft described it.

Like the multi-layered metaphors and double-meaning wordplay that laces her lyrics, in Newsom’s world, rare and rich dualities exists. She shouts, screeches, creaks and coos. And yet this is all entwined within her distinct femininity: her high-pitched inflection, masterful harp playing, epicly emotive lyrics and intuitive writing. There is a sense that she is following her voice where it goes, but she goes there gracefully and attentively, matching her syllables with the most emotionally suited turns in her voice.

With her gritty girlishness that critics have often infantilized, she’s also an arbiter of wisdom, of expertly crafted folk songs rich in metaphor and mythology, and an expert composer. Throughout her discography, her deep love of history and literature has shaped a collection of poetry that stands up on its own on the page — words that jump with the alternatingly chilling, pensive and glistening presence of her harp, her lines syncopating with the plucks and hums of the strings. She bridges folk traditions with enormous arrangements for concert halls.

Joanna Newsom Is The 21st Century’s Timeless Voice

Photo Illustration: Lloyd Bishop/NBC via Getty Images and Angela Hsieh/NPR

The Orchard
by Philip Glass, Joanna Newsom, Tim Fain
1,031 plays

Philip Glass, Joanna Newsom, and Tim Fain perform The Orchard from Glass’ The Screens at The Warfield Theater, June 25th, 2012.


Paste Magazine: Okay then, tell me this: A lot of this record does seem to be about how time will remember you. So how do you want to be remembered? It’s a hundred years from now and somebody looks Joanna Newsom up on whatever device they use to look things up, what do you hope it will say? Newsom: I don’t know. Obviously, I’d like for it to say something. It’s kind of distressing to trip out on the notion of nothing coming up, of just being a blank. But it’s all so abstract to think about. I’ll be long gone. I think the only thing that really matters is that my friends and family from this space of my existence hopefully remember me well and love me and if I have kids that they remember me well and love me, and whatever love I gave them translates to them being happy and healthy people and them passing love onto the next people that come after them. And that’s the best form of immortality that I think there is. Not to be too corny, but kindness and love is essentially the only real immortality. And I guess evil is immortality as well. Any time you do an evil act it has repercussions for generations. I think those sorts of basic choices—good vs. evil—are some of the only substantive ways we have of marking the future forever.

fuckrashida:

Solange wore a durag to the MET gala so she’s automatically the best dressed person there

Moon
by Björk from Biophilia
3,501 plays

heyreallygiger:

to risk all is the end all and the beginning all


Have One On Me
by Joanna Newsom from Have One On Me
28,777 plays

crippledjazzer:

The blackguard sat hard, down,
with no head on him now,
and I felt so bad,
cause I didn’t know how
to feel bad enough
to make him proud.


THEME